It is not the proportion of men that dominates the consumption of the film category, women are the kings of this, while the production of films with predominantly female elements is rare, such as My Girlhood, Blind Hills, Black Swan and The Sunshine Sisters. The famous overly masculine Marvel Universe superhero series and the James Bond-led secret agent series, as the king of consumption, are really difficult for most women to accept such excessively violent films, forced by the scarcity of “women’s films” and the face of the “men’s films The majority of women, being the kings of the consumer ratio, find it difficult to accept such excessively violent films, and are forced by the scarcity of “women’s films” and “men’s films”, to “bite the bullet” and enter the cinema.
In order to “serve” the female consumer, Twentieth Century Fox has gone to great lengths to make “The Lady Spies” a “breakthrough” compared to previous secret agent films in which women play the role of vases. The “breakthrough” is the reversal of the position of the male in the role of the vase. The film’s plot is clichéd, but there are plenty of R-rated gags throughout, and as a non-family film, it easily keeps the audience laughing from start to finish.
What kind of feminism is in the clouds and true to form.
“From office clerk to field agent, a world of difference, the American dream of making the impossible possible, this is a breakthrough and success for women in the workplace and a feminist success. In the film, women seem to represent everything, and seem to be able to handle everything. They are in the sword and sabre, and they are also in the rescue.
If society has come to a point where it doesn’t care about gender, then it should be a victory for women’s rights. It is clear that Susan, with her excellent “performance” and first-class training in farm fighting, has taken the field job, demonstrating the charm and ability of a professional woman as much as a man, but her obsession with trusting and loving her partner Bradley exposes the softest and most emotional side of women, the superwoman in one moment, and the irrational one in the next. The contrast between the superwoman image of one moment and the irrational behaviour of the next, overwhelmed by emotion, is a great contrast, whether it is a celebration of the success of feminism or a satire on the useless nature of women.
Although women are in charge in the film, Susan’s persona is entwined with exaggerated elements of being a huge, fat, old, leftover woman, a comical and distorted set-up that puts her in a discriminated and neglected position, in contrast to the curvaceous, “capable”, scheming “green tea bimbo” of CIA headquarters. Susan is portrayed like Jialing. Is it true that fat and ugly women are meant to be ridiculed and used as a laughing stock? Is this demonising set-up intentional or unintentional.
In the film, the agent in Italy attacks Susan with yellow language whenever and wherever he can, and his verbal behaviour does not satisfy him, and he even uses his actions to express his hunger and thirst, justifying his actions by saying “this is because there is danger and he is rescuing you”.
The “great” image of Susan is like a remake of Sasha in “Grimsby”. The plot is a spoof. Although it doesn’t have strong visuals or a solid, unprompted plot, the hilarious twists and turns and the out-of-the-box characters will make it an indispensable source of classic comedy.
