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The Girl with the Dragon Tattoo: The cool girl who fights violence with violence

  • admin
  • December 1, 2011

He glamorises scenes of violence in a way that is visually striking but not uncomfortable. The combination of gore, violence, sex, crime and homophobia without being at all offensive is the appeal of David Fincher’s style.It’s a great celebration for all girls, in the legal sense of the word, as the malls are already full of pink and the e-commerce platforms are full of offers.

Gentle, kind, tender, tough and hardworking have been defined and celebrated as women since ancient times.However, there is another side to women who are independent and assertive, bursting with strength, opposing oppression and fighting violence with violence .staging one violent aesthetic after another!The Girl with the Dragon Tattoo, a novel that won the Glass Key Award, the highest award for a Nordic crime novel, has been adapted for film in Sweden and the USA.The author of the novel, Stig Larsson, worked as a Swedish journalist and was involved in anti-fascist activities.The Girl with the Dragon Tattoo is a film about the Nazis, and Larsen’s commitment to justice and injustice is evident.

The Girl with the Dragon Tattoo is the first book in Larson’s Millennium Trilogy, which received much attention upon its release.The Girl with the Dragon Tattoo won the Glass Key Award, and the third book in the trilogy, The Girl Who Poked the Hornet’s Nest, won the award again, making Larsen the first Swedish author ever to win the award twice.The Girl with the Dragon Tattoo by American director David Fincher, whose film Fight Club I have already recommended.David Fincher has always excelled in the suspense thriller genre, with films such as The Vanishing Lovers, The Seven Deadly Sins and Fight Club, all of which show David Fincher’s characteristic style.He embellishes scenes of violence in a way that has a strong visual impact without feeling uncomfortable. The combination of gore, violence, sex, crime and homophobia without being at all offensive is the appeal of David Fincher’s style.Compared to the Swedish version of 2009, the girl with the dragon tattoo is weakened, the omnipotent girl of the ’09 version is weakened and given a soft spot for love.

The ’09 version is a little more faithful to the original, with more brutal and ruthless images, while the American version goes for that gloomy look. However, the American version is better in terms of characterisation, sound effects and visual experience.The girl with the dragon tattoo, named Salander, has heavy smoky make-up, tattoos all over her body and a nose ring, lip ring and eyebrow studs on her face. All of these are indicative of this punk girl’s personality.The actress, Rooney Mara, who plays the role of Salander, is a small, homely girl in life, but in The Girl with the Dragon Tattoo she breaks away from the norm, with nose rings, lip rings, eyebrow studs and tattoos that are real and not made up for the sake of authenticity.

In fact, before the film started shooting David Fincher approached the actress Raumi Rapace to be the female lead in the film as a tribute to the Swedish 09 version, but she turned down David Fincher’s request.The film was a major career turning point for Rooney Mara, who had worked with David Fincher on The Social Network.The Girl with the Dragon Tattoo is 158 minutes long, which may seem like a long film, but it is less than the 180 minutes of the Swedish 09 version, so it was not possible to tell the whole story.So David Fincher took only part of the story and adapted it.Eight weeks into the shoot, David Fincher switched his cinematographer to Jeff Clonway, with whom he had worked on Fight Club and The Social Network, in order to achieve perfection.

It turns out that David Fincher’s decision was the right one, and the images under Jeff Clonway’s direction are magical and more in keeping with David Fincher’s directorial style.The film opens separately with the introduction of the female protagonist, Salander, and the male protagonist, Mike, who don’t meet until the middle of the film, before which the only encounter is supposed to be when Salander, an investigator, is commissioned to investigate Mike.Although the film does not give any background on Salander, it is clear from the novel that she was abused by her father as a child, tried unsuccessfully to burn him as an adult, but left scars on her body and was even found mentally insane and in need of government supervision.

Salander is a resolute and determined girl, thin but agile, who never cared what people thought until she met Mike.Cool girl is the best way to describe her, but such a cool girl can also struggle with money, as we all do, and Salander is under government supervision and therefore needs to receive a grant from a government-appointed supervisor.In this case, the supervisor is a fat lawyer who makes Salander use his hands to help her with her physical problems whenever she needs an advance.But to his surprise, the fat man ties Salander to the bed when she’s not looking and plays with her with a mess of tools.The cold-toned scenes with the heavy metal music and Shalander’s screams make for a disgusting abuse, and the heavy-handed scale justifies what Shalander does next.

Schallander plays with the fat clerk with his tools and threatens him with photography, as he does, even writing on his belly with a tattoo pen, “I am a sexually abusive pig, I am a pervert, I am a rapist.”Sharland would get a tattoo on the ankle where she was first forced to injure herself by the fat lawyer; in her world the tattoo was a warning to herself more than something she agreed would protect her more than the law.Sharlander was not really the psychotic, alcoholic, meth-addicted, beaten up, or violent person that the report made her out to be. In the end, she was just hiding her inner wounds by being cold and tough on the outside.Sharland is also an extremely talented hacker, which is the main reason why she became an investigator, and it is for this reason that Mike seeks her help.

A financial journalist with a passion for exposing moral turpitude, Mike has become a thorn in the side of many business tycoons and politicians.When she was sued for libel for a story she wrote about an entrepreneur, Wennerström, and was facing high damages and reputational bankruptcy, she was approached by a large Swedish family.The Vanger family is a prominent Swedish family, and it was the family head, Henry, who approached Mike. His only wish at an advanced age is to find his grand-niece Hayley, who disappeared 40 years ago, and unravel the family’s mystery.At first he thinks it is a phone number, but eventually he realises that it appears to be from the Bible’s Book of Lemuel, where each number corresponds to a word of discipline.Mike approaches Shalander, who has investigated him, to ask her to help him, and surprisingly the cool girl agrees to the offer of the older man who has come into the house on their first meeting and even ousted his girlfriend.With the addition of Salander, a hacker, things are coming together, and every sentence in these Leander books refers to an unsolved murder that took place next to the family town.

The commonality of the victims is that they are all Jewish or of one religion or another, which reminds Mike of Henry’s reference to his brother, the missing Hayley’s grandfather, as a Nazi.During the investigation, Schalander develops feelings for Mike, a man 19 years older than her, and seems different when she offers to sleep with him and even cooks breakfast herself.The investigation reveals that Hayley’s father, Gottifired, was also a Nazi, and that his time away from home coincides with the time of the murders, except that the last one took place in 1967 and Gottifired died in 1965.Mike then discovers that Hayley’s brother Martin lied about the time he returned to the family that year, and all signs point to Martin being a homicidal maniac like his father.

With the truth at hand, an agitated Mike goes to Martin’s room in the family home in search of evidence, which Martin has been aware of for some time, and is dragged down to the basement where he is to fuck him and then kill him.After hanging Mike, Martin says, “Never touched a man except for my father.” (Holy shit, what a devil of a family! What a ruinous and uncouth set-up.)Of course it’s time for the “hero to save the day” and our cool girl, Shalander, comes to Mike’s rescue in the basement, pistol in hand.

This is the best expression of Shalander’s love for Mike. When a person who has his own way of doing things starts to fight for a person’s opinion, that is love.For Salander, she doesn’t show her love as clearly as others, but a breakfast and a question is all she needs to show what she thinks of Mike.The most cerebral part of the film is when the two find Annita, who is extremely close to Hayley, and after asking her in vain, Mike suddenly has a terrible thought.The idea that maybe the Annita in front of him is the real Hayley turns out to be completely correct. Hayley had been raped at the age of 14 by her own father, who had accidentally revealed that he had killed many people during a drunken rampage.Fearful, Hayley pushed her father into the river and killed him, which was witnessed by her own brother Martin. Martin is just like her father, and in the end, Hailey disappears with the help of Annita, who tries to escape from her clutches.At this point the plot comes to a close, as the lawsuit has expired and Henry is unable to help Michael with his lawsuit, while Schallander uses his hacking skills to expose Wennerström’s evil deeds.

Some may ask what will happen to Salander and Mac, but in fact something is planned and the two worlds cannot stay in the same world.The film’s tagline includes the following two lines: “Evil shall be banished along with the culprit.” and “Everything buried under the snow will eventually melt away as the snow disappears.”I think this is the spirit of the film and the justice that The Girl with the Dragon Tattoo, a mystery novel, promotes.

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